Suzanne Leonard
Professor and Program Director for Gender and Cultural Studies
Suzanne Leonard is Professor of Race, Gender, and Sexuality Studies, Director of the Graduate Program in Gender and Cultural Studies, and co-coordinator of the university’s interdisciplinary minor in Cinema and Media Studies. She is also co-chair of the board that oversees the Graduate Consortium in Gender, Culture, Women, and Sexuality.
Leonard is the author of Wife, Inc.: The Business of Marriage in the Twenty-First Century (2018); Fatal Attraction (2009); and co-editor of Fifty Hollywood Directors (2014) and Imagining We in the Age of I: Romance and Social Bonding in Contemporary Culture (2021). The latter book was awarded awarded MeCCSA’s (Media, Communication, and Cultural Studies Association) Outstanding Achievement Award for the best edited collection of 2021.
Leonard regularly instructs undergraduate and graduate classes on American film and television studies, feminist media studies, women's literature, gender and cultural theory, literary interpretation, and 20th and 21st century American literature.
Professor Leonard is most interested in the intersections between feminism and popular culture, and her published work has examined topics including: public feminisms, postfeminism and reality television, white feminism, The Real Housewives franchise, chic noirs, the treatment of the adultery plot in feminist novels; Lily Tomlin; political spouses and The Good Wife; celebrity culture; and working women in American film and television.
Professor Leonard has been featured in The Boston Globe, The New York Times, The Guardian, USA Today, and a variety of media outlets, including The Los Angeles Review of Books, NPR and the podcast Public Intellectual with Jessa Crispin.
Education
- PhD, English, from University of Wisconsin-Milwaukee
- BA, Dartmouth College
Courses
- Gender and Power in Literature
- The Art of Film
- Approaches to Literature
- The Invented Self in Twentieth and Twenty-First Century U.S. Fiction
- Introduction to Literary Theory
- Introduction to Film and Media Theory
- Studies in Film Genre (Melodrama)
- Feminist Media Studies
- Feminism and Literature
- Introduction to Gender and Cultural Studies
Research/Special Projects
Books
Wife, Inc.: The Business of Marriage in the Twenty-First Century
https://nyupress.org/9781479874507/wife-inc/
Suzanne Leonard’s book project, Wife, Inc., examines 21st century wives in female-centered media culture. It includes chapters on online dating, reality wedding shows, housewives (real and fictional), and wronged political wives.
Imagining We in the Age of I: Romance and Social Bonding in Contemporary Culture
https://www.routledge.com/Imagining-We-in-the-Age-of-I-Romance-and-Social-Bonding-in/Harrod-Leonard-Negra/p/book/9780367483272
This recently edited collection examines how global shifts in gender and sexuality, work and mobility patterns and especially technology have destabilized conceptions of intimacy and coupledom. The book examines contemporary formulations of romance in a variety of cultural contexts and with attention to the impact of COVID-19.
Publications/Presentations
Select Recent Publications
"Fealty, Fortune and the Wives of #MeToo," LA Review of Books, January 25, 2019.
https://lareviewofbooks.org/article/fealty-fortune-and-the-wives-of-metoo/
"Weddings, Anti-Heroines, and Postfeminist Cynicism." The Wedding Spectacle Across Contemporary Media and Culture: Something Old, Something New. London: Routledge, 2019. 53-65.
"What Roseanne Barr Meant to Media Studies." Television & New Media, Special 20th Anniversary Edition 21.6 (Fall 2020): 596–601.
"The Real Housewives of Beverly Hills: Franchising Femininity." How to Watch Television. Second Edition. New York: New York University Press, 2020. 278-286.
"What are White Feelings?" Anti-Feminisms in Media Culture. Eds Diane Negra and Michele White. London: Routledge, 2022.
“RBG, Public Pedagogy, and Online Activism.” Public Feminisms: From Academy to Community. Eds. Carrie N. Baker and Aviva Dove-Viebahn. Amherst, MA: Lever Press, 2022. 387-402.
“Bravo: Branding, Fandom and the Lifestyle Network.” Co-authored with Martina Baldwin. From Networks to Netflix: A Guide to Changing Channels, 2nd Edition. Ed. Derek Johnson. New York: Routledge, 2022. 145-153.
“Labour, Self-Care and Respite: Neoliberal Rationalities in Sleep Crisis Rhetoric.” Co-authored with Diane Negra. New Formations: A Journal of Culture, Theory & Politics 106 (2022): 43-59.
“Family” and “Motherhood” Entries. This is Not a Feminism Textbook. Ed. Catherine Rottenberg. London, UK: Goldsmiths Press, 2023. https://mitpress.mit.edu/9781913380878/ … -textbook/